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Writer's pictureAreeba Rasheed

Breaking Stereotypes or Cementing Them? A Look at Hichki

Hichki! The Bollywood blockbuster that made us silently wipe away our tears as we cheered for Rani Mukherjee during her triumphant moments. You most likely recall the fiery resolve of Naina Mathur, a teacher who faces the world despite having Tourette syndrome, if you've seen the movie. Even though her story is uplifting, inspirational, and as comforting as a cup of chai on a rainy day, let's take a moment to examine it critically but with a hint of humor. Does Hichki simply repeat what Barbara Beyerbach refers to as the "Stand on Me" stereotype of teachers in movies? Spoiler alert, it does.


What’s the Plot of Hichki Again?

Hichki follows Naina Mathur, a driven woman with Tourette syndrome, as she secures a teaching position in a prestigious school, in case you missed it (really, watch it). That sounds fantastic, doesn't it? But hold on—her class is made up of boisterous outcasts from disadvantaged homes. Presenting the traditional "misunderstood underdog teacher vs. rebellious, chaotic students" scenario. With her unique teaching strategies, compassion, and unwavering stubbornness, Naina not only wins her students' respect but also turns them into shining stars. Bollywood feels timeless.


Without a doubt, it is a triumphant tale. However, you may have experienced déjà vu if you've watched a few teacher-focused movies. Why? for the simple reason that Hichki fits neatly into the "Stand on Me" stereotype that Barbara Beyerbach covered in her study of teachers in movies.


The “Stand on Me” Trope: A Crash Course

What exactly is the "Stand on Me" stereotype, then? According to Beyerbach, it is the representation of educators as helpless heroes battling against broken systems, disruptive pupils, or, in Naina's case, critical coworkers and the general public. These educators put their personal lives on the line and go to ridiculous lengths—often at considerable personal expense—to assist their students.


Consider the instructor as a human stepping stone who encourages students like "stand on me, kids, to reach your dreams." That's the essence of Naina Mathur. She fights systematic bias, is unrelentingly committed, and even jeopardizes her career for her students. Additionally, her story is more about her sacrifice than systemic change, like that of many "Stand on Me" teachers. The students are fixed by Naina, but what about the larger injustices they encounter?


Funny, But Make It Critical

Let's take a brief break. Have you noticed that the most successful characters in movies like Hichki are always teachers? Teachers in the real world hardly have time to check everyone's homework, much less transform entire classrooms. In movies, however, they are essentially superheroes with a martyr complex.


Imagine this: A typical teacher is grading papers late at night, exhausted and a little nervous about the staff meeting tomorrow. In the meantime, Naina and other movie teachers are most likely sitting in the rain, coming up with innovative lesson plans and addressing world hunger at the same time. Isn't it exhausting?


Let's also discuss her students. Indeed, they begin as troublemakers but end up winning awards, giving speeches, and disproving everyone. Although it's entertaining to watch, it's a bit too orderly. Actual life? Most likely messier. Not every child experiences a Bollywood-style metamorphosis; some will thrive while others may continue to struggle.


What Beyerbach Would Say

Hichki would make Barbara Beyerbach very happy. In her analysis, she highlights how these movies frequently highlight individual bravery instead of tackling the structural problems that continue to marginalize students. Though her victory is confined to the classroom, Naina Mathur's struggle is inspirational. After the students graduate, what happens? Does a more inclusive society just happen? Does the prestigious school start accepting more disadvantaged students all of a sudden? We don't know because Hichki ends with a lovely bow and credits roll, just like a lot of movies in this genre.


Not to mention the gender dynamics that Beyerbach emphasizes in her research. Female teachers in films often face extra hurdles—they’re portrayed as either romantically unfulfilled, overly nurturing, or self-sacrificing.


Why We Still Love It (and Why That’s Okay)

Do not misunderstand me. The movie Hichki is entertaining, and Rani Mukherjee does a fantastic job. Seeing a teacher with a disability take the lead and demonstrate her abilities to the world is inspiring. Indeed, the movie raises awareness of topics like inclusion and inequality in education. However, it's important to consider why we repeatedly see the same teacher clichés.


It's fantastic if films like Hichki inspire us. However, let's also use them as a springboard for more in-depth discussions. What if the main focus of a teacher film was systemic change rather than individual bravery? What if the narrative praised teamwork—teachers, administrators, and students collaborating to make schools better? Beyerbach would applaud that type of narrative, and honestly, so would we.


Final Thoughts: Pass the Popcorn

Hichki might lean heavily on the “Stand on Me” stereotype, but that doesn’t make it a bad film. It’s heartfelt, fun, and leaves you with a warm glow. Just don’t forget to think critically while you enjoy it. Next time you watch a teacher film, ask yourself: Who’s doing the heavy lifting? Who’s missing from the story? And is the solution too simple to be true?


In the meantime, let’s give a round of applause to real-life teachers who are making a difference—not by carrying the world on their shoulders, but by showing up every day and doing their best in a very complicated system, like our Gender and Media professor Mr. Hasham Nasir because, let’s be honest, they deserve their own movie too.

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